Candace Allan, Canadian Author
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Synopsis of:  Remember This?

A novel by Candace Allan


You Must Remember This, by Candace Allan Remember This is a novel about memory, family and the resilience of love. The story traces the life of one woman, Lauren, from childhood experiences with her cousin Angela, who is her youthful soul mate, to a late “coming of age” in adulthood with a husband whose soul she desperately longs to connect with.

When the book opens, seven-year-old Lauren is playing with her cousin Angela, whose attraction is that she “seems to make things bigger.” Angela’s mother is in the hospital having her fourth baby and while the girls play, a sense of tension about the impending birth builds in the autumn air. The aura of mysterious sexuality and unspoken fear that hovers over the adult world leaks into the children’s games and conversation throughout the day as they traverse the small rural town of Gairloch, Alberta. When Angela’s mom dies only six months later, and Lauren sadly forces Angela to give up her belief that she can will herself to join her mother in heaven, the girls leave behind the innocence of their shared childhood.

Lauren has a strong but inarticulate relationship with her mother, but it is the influence of her Dad's sister, Aunt Marge, that is a defining force in her life. The childless Marge frightens her niece with her passionate yet failed attempts to mold Lauren into a dancer. She pushes Lauren into an anxious confrontation over dancing before introducing Lauren to what will become her true passion – the piano.

Family relationships continue to direct Lauren throughout her childhood. Lauren and many other members of her family are strongly affected by paternal grandparents Anna and Calvin. The alcoholic Calvin and his wife have endured a discordant marriage for fifty-seven years when Calvin disappears. As an adult, Lauren has a provocative childhood memory of playing a song on the piano – You Must Remember This – when her grandfather nonchalantly returned after a three day absence. Taking the old woman's hands, he slowly danced her around the worn carpet. Lauren “saw her little girl self pressing down on the ancient keys, frightened, though aware that without her playing the moment would end. She was still uncertain what her grampa wanted from his wife at that moment. Maybe he only wanted to dance.”

The novel takes a leap into the future. After high school Lauren journeys across Europe, the landscape of her ancestral roots, especially intrigued by a predecessor who survived “trial by ordeal” as a suspected witch. Lauren has always been charmed by the possibility of magic, whose whispered influence has sifted down through the generations. Breaking free from parental judgments and warnings, she has her first sexual experience in the gray light of Paris, in a potentially dangerous though passionate encounter with a young man who is almost a complete stranger.

During the period in which the Canadian government is preparing for a referendum that could divide the country, Lauren leaves her home in Calgary to go to Toronto to follow her dreams of studying music. The uncertainty of the country is paralleled by personal upheaval with the death of her grandmother – a woman “she wasn’t finished with yet” though she had etched her spirit onto Lauren's soul. In the state of loneliness that follows, she meets Alex, another uprooted Calgarian.

It is a troubled relationship. Their love is fierce, but often fails to fully nurture them. Alex was born to a detached teenage mother who also delivered a stillborn twin brother. Only in a moment of anguish does Alex admit to at times feeling small phantom hands on his back, and a parallel heartbeat.

After almost four years of intimacy Alex “vanishes without leaving even a murky underwater view. She had no idea that after a liaison of half a decade she could be responsible for subtracting him from her life so completely.” But she is more surprised to learn during their reconciliation how resilient their love is and how much their differences unite them.

Lauren marries Alex and quickly becomes pregnant. Childbearing haunts her with memories from her childhood: her aunt doing the “ring test” on her mother for a child who was never born, and of her sister frightening her with her urgent comforting, "you're our baby now.”

Soon Lauren is a mother of three and her musical mode of self-expression slips away. She misses the transcendent energy that her music brought to her life, but now her energy naturally circles around her offspring. Unfortunately, “she didn't see Alex as a full part of that circle; he was a satellite and chose to connect or disconnect at will.”

The themes of memory and loves resilience continue when Lauren’s career-driven sister, Pamela, fears carrying through with an unwanted pregnancy. Pamela’s lover wants to raise the baby and, in desperation, he urges Lauren to confront her sister. Echoing their grandfather's disappearance years ago, Pamela also runs away. On her return, Pamela tells Lauren about journeying to the backyard of their grandparents' house in Gairloch, kneeling on the floor of the playhouse with little thought to the new owners, and being transported back in time. "I could see all of us, piled in there at Christmas time in our snowsuits, peeling mandarin oranges and eating tarts, acting out some crazy tea party.” Lauren understands what her sister means when she whispers, “That wasn't very long ago, Laurie, really it wasn't."

Lauren and Alex’s love is put to a final test when their small son falls from a jungle gym and lies unconscious in the damp summer grass. He recovers, but the accident impels Lauren and Alex to reconnect and search for a state of grace. While the children sleep, Lauren finds solace at the piano again. Uplifted by a sense of completeness, she surrenders herself to a state of synchronicity with her music.

The final scene of Remember This? dramatizes the power of memory and love as Lauren is reunited with Angela. The two women share memories of their seven-year-old selves among the branches of her cousin’s tree fort – poised halfway between heaven and earth – their legs kicking out over the hollyhocks, high above Angela’s mother’s garden.

 

 
 
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